Art Rounds: teaching interprofessional students visual thinking strategies at one school.

Acad Med. 2011 Oct;86(10):1266-71. doi: 10.1097/ACM.0b013e31822c1427.

Klugman CMPeel JBeckmann-Mendez D.

Source

Center for Medical Humanities and Ethics, University of Texas Health Science Center, San Antonio, Texas, USA. klugman@uthscsa.edu

Abstract

PURPOSE:

The Art Rounds program uses visual thinking strategies (VTS) to teach visual observation skills to medical and nursing students at the University of Texas Health Science Center San Antonio. This study’s goal was to evaluate whether students’ exposure to VTS would improve their physical observation skills, increase tolerance for ambiguity, and increase interest in learning communication skills.

METHOD:

In January 2010, 32 students attended three, 90-minute sessions at which they observed and commented on three pieces of art in small groups led by museum educators. Pre and posttest evaluations included Geller and colleagues’ version of Budner’s Tolerance of Ambiguity Scale, the Communication Skills Attitudes Scale, and free responses to art and patient images. Statistical analyses compared pre and post time looking at images, number of words used to describe images, and number of observations made according to gender and discipline.

RESULTS:

Students significantly increased the amount of time they spent looking at art and patient images (P = .007), the number of words they used to describe art (P = .002) and patient images (P = .019), and the number of observations made of art (P = .000) and patient images (P = .001). Females increased the time spent observing significantly more than did males (P = .011). Students significantly increased their tolerance for ambiguity (P = .033) and positive views toward health care professional communication skills (P = .001).

CONCLUSIONS:

The authors speculate that these improved skills may help in patient care and interprofessional team interactions.

Glass and Gold

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Verre églomisé – the art of  reverse painting on glass using transparent colours and  gold-leaf. This reverse painting on glass, is challenging but satisfying, as the painting begins with the highlights and details. It progresses towards the background as the last stage. It requires risk taking and bold judgement about the initial layers, because they are difficult to correct. Maybe that is why Nora finds this project attractive as it reflects the risk taking and judgement making skills of a practicing doctor.

She brings her visions and memories of her childhood growing up in the lush and green state of Johor, Malaysia and influence of her Sino Malay heritage into her art. By using the natural bright colours of the flora of the tropics Nora uses this technique to enliven her glass surface with a luminous, ethereal quality while transforming the plain glass. The pieces are rich, contrasting and gives depth while allowing for the play of light to bring life to the object being depicted. By exploiting the layering of color glazes combined with gold leaf makes these pieces durable, ensuring they last for decades.

Glass and Gold

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“Glass and Gold” collection, is Nora Rahman’s exploration into the area  of Verre églomisé – the art of  reverse painting on glass using transparent colours and  gold-leaf. This reverse painting on glass, is challenging but satisfying, as the painting begins with the highlights and details. It progresses towards the background as the last stage. It requires risk taking and bold judgements about the initial layers, because they are difficult to correct. Maybe that is why she finds this project attractive as it reflects the risk taking and judgement making skills of a practising doctor.

She brings her visions and memories of her childhood growing up in the lush and green state of Johore, Malaysia and influence of her Sino Malay heritage into her art. By using the natural bright colours of the flora of the tropics Nora uses this technique to enliven her glass surface with a luminous, ethereal quality while transforming the plain glass. The pieces are rich, contrasting and gives depth while allowing for the play of light to bring life to the object being depicted. By exploiting the layering of color glazes combined with gold leaf makes these pieces durable, ensuring they last for decades.

Utilizing visual art to enhance the clinical observation skills of medical students.

Med Teach. 2013 May 3. [Epub ahead of print]

Jasani SKSaks NS.

Source

Rush University Medical Center , USA.

Abstract

Background: Clinical observation is fundamental in practicing medicine, but these skills are rarely taught. Currently no evidence-based exercises/courses exist for medical student training in observation skills. Aim: The goal was to develop and teach a visual arts-based exercise for medical students, and to evaluate its usefulness in enhancing observation skills in clinical diagnosis. Methods: A pre- and posttest and evaluation survey were developed for a three-hour exercise presented to medical students just before starting clerkships. Students were provided with questions to guide discussion of both representational and non-representational works of art. Results: Quantitative analysis revealed that the mean number of observations between pre- and posttests was not significantly different (n = 70: 8.63 vs. 9.13, p = 0.22). Qualitative analysis of written responses identified four themes: (1) use of subjective terminology, (2) scope of interpretations, (3) speculative thinking, and (4) use of visual analogies. Evaluative comments indicated that students felt the exercise enhanced both mindfulness and skills. Conclusion: Using visual art images with guided questions can train medical students in observation skills. This exercise can be replicated without specially trained personnel or art museum partnerships.

A Free Book on Finger Painting

“Finger Painting can be more than “kid’s stuff” which belongs only in the kindergarten classroom and on the refrigerator door. Most of all I hope you will try it for yourself – you may discover something wonderful in the medium and in yourself as well” Mary Ann Brandt finger painter (June 21, 1921 – March 8, 2007)

finger painting 1

Click here for your free book – finger painting Nora Rahman

‘2 Mad Docs’ ‘We are not artists but medicine is our art!’ An exhibition of works by Nora Rahman and Vaikunthan Rajaratnam

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Following their exhibition at Red Gate Gallery earlier this year, the ‘2 Mad Docs’ are returning for a second exhibition of paintings and photographs. The ‘2 Mad Docs’ are Nora Rahman who is a GP in London and Vaikunthan Rajaratnam who is a surgeon in Birmingham. This exhibition explores the link between the practice of doctors and artists; the powers of observation and interpretation.

Nora’s current collection of paintings is entitled ‘Hands on Nature’ which is inspired by her recent travels both locally and abroad. She tries to capture the constant change of nature’s beauty and the transient delight of cyclical changes; daylight to night, weather changes and the wonderful seasons are evoked in her current series. She has used her hands to take snapshots of nature’s beauty.
Most of us have childhood memories of dipping our fingers into thick gooey paint and having a fantastic time. Fingers are great for painting. This process has captured Nora’s interests as she has continued to pursue this unusual process of producing art. She finds it very sensual, relaxing and therapeutic, allowing her to connect with her work. By employing a wider colour palette she has produced some exciting and engaging new work. Her love of art has continued to help her with her medical practice and enabled her to help her patients focus on the positive aspects of their health.

Raj continues his photographic series on the hand, entitled ‘The Working Hands’. For a surgeon, one of the most important functions of the hand is vocational. Raj has framed the hand in various settings being used to earn a livelihood – from the most gross and power grips to the more fine and subtle positions of the hand. He uses digital photography in his extended role as a surgical educator to impart surgical skills to his trainees to document the hand at work in its various settings. Some of these photographs are from his travels and from his work environment.

Private View: Saturday 24th of October 2009 – 6 pm to 11 pm
Exhibition runs from: Friday 23rd to Thursday 29th of October 2009
Gallery Opening Hours: Fri, Sat, Mon, Tues, Wed, Thurs: 2.30 pm – 6.30 pm
Sun: 5pm to 10.30pm
Last day of Exhibition: Thurs 29th of October: 11.00am to 5.00pm

Two Mad Docs Exhibition

: Works by Nora Rahman and Vaikunthan Rajaratnam

Red Gate Gallery, 209a Coldharbour Lane, London SW9 8RU

 

Private View: Saturday 24th of October 2009 – 6 pm to 11 pm

Exhibition runs from: Friday 23rd to Thursday 29th of October 2009
Gallery Opening Hours: Fri, Sat, Mon, Tues, Wed, Thurs: 2.30 pm – 6.30 pm
Sun: 5pm to 10.30pm
Last day of Exhibition: Thurs 29th of October: 11.00am to 5.00pm

Following their exhibition at Red Gate Gallery earlier this year, the ‘2 Mad Docs’ are returning for a second exhibition of paintings and photographs. The ‘2 Mad Docs’ are Nora Rahman who is a GP in London and Vaikunthan Rajaratnam who is a surgeon in Birmingham. This exhibition explores the link between the practice of doctors and artists; the powers of observation and interpretation

Though not artists by trade and training they have in this collection of works compiled their impression of the Art of Medicine. It includes works of paintings and digital photographs on the human aspects and beauty of medicine and surgery. It explores the inner soul of these doctors who spend much of their waking hours caring for their patients and with little time and opportunity for creativity.
Nora had some formal training in art in her younger days and continues to explore her creative side with drawings, paintings and recently with pottery, glass fusion and Raku. In spite of her busy schedule as a full time doctor working in the city and bringing up 2 children, Nora has found the time to express herself in some new exciting work. Recently she has experimented with finger painting and has produced some surprises and finds this avenue extremely therapeutic for her hectic life style. Her recent works include the emotional aspect of medicine as seen by a doctor in her practice.
Raj, a hand surgeon by training working in Birmingham is passionate about the beauty of the hand. Having had more than 2 decades of experience in educating and training surgeons worldwide, he has used photography as his medium for teaching surgery. Recently with digital photography he has explored the fascinating world of hand surgery as seen through a lens. This collection of his digital work shows the beauty of the hand in the young and old and in the diseased state. It gives an insider’s view of surgery of the hand and the hand in all its glorious functions.

As part of the private viewing night Nora & Raj will invite visitors to join in a happening of live collective finger and hand painting – participants are able to re-discover the fun, interaction and creativity of past playschool memories. The collective finger/hand paintings will with permission of the participants be exhibited in Nora & Raj’s next project.